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During the last years
a pessimism was obvious in the doom
metal scene. Productivity was poor,
the quality of the bands was debatable
and an argument with neighbor music
idioms was tearing apart the fleshes
of this unique music micro-world.
But in the last two or three years
we witness a revival of the scene,
mostly because new bands entered the
arena and because the community focused
more on its own deeds, instead of
looking at what others did. Festivals,
tours, increased live activity, qualitative
releases in a regular sequence; they
are all fruits of this now fertile
landscape.
What Doomshine has
to do with this lengthy introduction?
Doomshine are one of these new doom
metal bands that help to revive the
scene, and their debut CD is one of
the year. In a perfect frame, where
the production is faultless and the
artwork is wonderful, Doomshine are
delivering us nine songs of excellent
doom metal. Doom metal, as we know
it from the forefathers of the idiom,
like Candlemass, Solitude Aeturnus,
Count Raven and Sorcerer. But Doomshine
are acknowledging the offer of more
recent bands, like their compatriots
Dawn of Winter (listen for example
"Light a candle for me").
The fact is that, even if these influences
are present, you will not complain
that this band hasn't any character.
On the contrary, Doomshine is a balanced
and surprisingly mature band. The
songs are firm and emotionally performed
(dark of course). I wouldn't like
to refer to specific songs, but I
would like to discern only "Shine
on sad angel". Sometimes I wonder,
"what if the x or the z band
from the glorious past had composed
this one" and I realize that
we are unfair to our newcomers. Of
course Doomshine and the rest bands
will have to prove through consistency
that they worthy of our trust. "Thy
kingdoom come" is the absolute
doom metal debut, but now the demands
are more. |