Hello
Matt and thank you for this interview.
Your first album "Theocracy"
has been on the stores' selves
for a few months now. What is the
reaction of the fans and the media
so far?
Very positive so
far, overall. I'm very pleased
with the reactions; it's quite
humbling to read what people are saying.
Give us
some more details about the recordings
of the album, such as where did it
take place and how long have you been
preparing and recording it?
The recording took
place at my home studio, which actually
wasn't a studio at all, but
just some gear that I moved around
from place to place. I did some of
it in my basement and some of it in
a spare bedroom. I think it took around
a year and a half from start to finish,
though a few of the songs were written
several years earlier.
What are
the sales of your cd so far? Are you
satisfied or did you expect something
more?
It's been steady.
Not mindblowing, but it's still
selling consistently, which is good.
We're actually having a third
pressing made now, so that's
great.
Although
I'm really cautious when it
comes to a "one man band",
I must admit that, in your case, I
was really amazed by the final outcome,
one of the best neoclassical power
metal albums for the year 2003. Why
did you decide to play all the instruments,
instead of forming a regular line
up, let's say of about 4-5 musicians?
Is it a matter of total control of
your music?
No, it was just a
matter of using what I had available
at the time. There just wasn't
anyone around at the time who was
up to the task, and since I knew all
the songs I decided to just do it
all myself. I really hope to form
a solid lineup and start playing shows.
That has already begun to take shape
with the addition of Shawn to the
Theocracy ranks behind the drumkit.
In the future
are you going to continue in the same
motive, or are you already in search
of new members?
We're looking.
We've played with a couple of
other people as well, and plan to
hold some more auditions soon. So,
Lord-willing, we may be well on the
way to becoming a "real"
band, hahaha!!
A regular
line up is also going to help you
in promoting your music with some
live performances, isn't it?
Have you planned any live shows? Which
do you prefer between the studio and
the stage?
I really want to
get out and start playing some shows.
The only drawback is that I don't
really enjoy playing guitar and singing
at the same time. It's pretty tough
trying to do that in this kind of
music. I'll do it if I have to, but
we're hoping to find two guitarists
so I can just concentrate on vocals
and being a frontman onstage. As for
whether I prefer stage or studio,
hmm…I'd have to answer
that once we're able to play
shows with a proper lineup. I usually
get pretty frustrated when recording,
so a lot of times that's pretty
miserable. But then I always look
forward to getting back in there and
doing it again, so go figure. I'm
really looking forward to recording
the next album; I'll say that.
We're building a real studio,
with two separate rooms, so I'll
be able to sit in there and concentrate
on the engineering and producing part
of it, and on my vocals and guitars/keyboards,
and won't have to worry about
programming drums or mixing the album
or any of that stuff. That will be
nice.
Let's
return to your album again. There
is a Christian concept that enriches
your music and I'd like to know
why you decided to deal with this
subject. What I mean is, that neoclassical
power metal bands rarely write such
lyrics. They usually write about fantastic
heroes and things like that or at
least that's what I think.
You are correct.
But really, not to be cheesy, but
who could be more of a hero than Jesus
himself? We don't make it into
something out of a comic book or what
have you. We deal with real life situations
and topics. Life can entail the highest
of highs or the lowest of lows, and
we examine those things through eyes
of faith. The lyrics on the album
also touched on historic events, spiritual
struggles and triumphs, etc. As for
why I chose to give a Christian slant
to the lyrics, well, I'm a Christian
so that will obviously influence the
way I see things anyway. We're
called to spread the gospel, and music
is a great way to do that. I'm
so thankful that God has given me
the opportunity to do what I love
that I want Him to be glorified through
it. And some of the stories I've
received about how people have been
touched by the album have shown that
it has indeed been used in a powerful
way. That just continues to blow me
away!
Will Christianity
remain your source of inspiration
in your future releases as well?
Yup, Theocracy will
always be a Christian band.
Give
us some more detail about the cover
of the album. Which is the basic idea
behind this contrast?
The kingdom of light
and the kingdom of darkness. Good
vs. evil. God's system vs. the
world's system. It's very
simple, really. But the album doesn't
have a specific theme or concept overall,
so it was kind of hard to decide on
a cover design. That's why we
ended up using something very general,
but very fitting. Certain images from
the cover reflect certain lyrics,
such as "New Jerusalem"
or "The Serpent's Kiss."
I had some ideas, my friend Renee'
had some ideas, and then Mattias ran
with them and added his own ideas
to create the beautiful picture. I
think I can say this without sounding
conceited since I didn't design
it myself, but I think it's
one of his best covers ever, if not
the best. I was so pleased with it.
I remember the first time I showed
my friends and they all went nuts.
I've been working towards releasing
this album for so long that it was
very cool to see that cover for the
first time.
Although
from the States, your music is closer
to European power metal. Which are
your main influences and bands? What
kind of music do you listen to lately?
All of Tobias Sammet's
work is a big influence, as you can
probably hear. Steve Harris'
songwriting with Maiden as well, obviously.
Some Prog Metal bands like Dream Theater
and Symphony X, some thrash stuff.
You can hear elements of all those
styles in our sound. As for what I've
been listening to lately, I've
found myself getting into a lot of
really aggressive stuff, some with
rough, unmelodic vocals for the first
time. Arch Enemy, Killswitch Engage,
stuff like that. I'm a big fan
of Andy Sneap's production work,
and have been enjoying a lot of that
stuff just for the killer riffs and
the massive grooves and the muscular
production. On the other side of the
spectrum, I've gotten way into
Neal Morse's stuff over the
last year or so. He plays lighter
prog-rock, which I've never
been very into, but his songwriting
is just incredible and he scratches
a certain itch for me. So I've
been discovering all his Spock's
Beard and Transatlantic work, and
his new solo album, "Testimony,"
was my album of the year last year.
It tells the story of how he became
a Christian, and is just so emotional
and powerful. Mostly though, I still
love all the Power, Prog and Classic
Metal stuff. That's my musical
home and first love.
More and
more good heavy/power metal bands
are "born" in the states
lately. It seems that after a long
period of absence U.S metal strikes
back. Do you agree with that? What
do you think was the main cause of
this "metal decay"?
The "metal decay"
was caused by the same thing that
causes any drastic shift in mainstream
taste, and that is oversaturation.
By the time Nirvana hit in '91
or so, there were so many copycat
hairbands and Metal bands with no
real substance that people were dying
for change. I hate grunge with a passion,
but that's how it always goes.
That's why grunge died out as
well and bubblegum pop came back in
a big way, which wasn't any better.
And now we're wherever we are
now. It all goes in cycles, especially
in America where so much of what people
are "allowed" to hear is
decided by ClearChannel and corporations
like that, via MTV or whatever. But
yeah, I agree that things are looking
up for our music for the first time
in a long time.
I'd
like you to give us some more details
about your "musical" past.
I mean if there are any other releases
we're not aware of, or if you
have participated in other groups.
No, the Theocracy
album is the first professional thing
I've ever done. I've sang
my whole life, and been in love with
music pretty much literally from the
time I was born, so I've done
a lot of stuff just for fun or in
church or whatever. But this was the
first "official" release
for me.
You are
under contract with metalages, a really
pleasant surprise in the world of
metal that has done a great work with
the whole layout of the album. How
did you come up with this cooperation?
Are you satisfied so far with metalages?
Deron from MetalAges
sought me out when he heard some demos.
I'd heard his name batted around,
but he told me he was planning to
expand MetalAges into a record label,
and he wanted Theocracy to be the
first signing. The rest is history.
As for satisfaction, well, it's
hard for me to be satisfied with anything
in a sense because of my nature, but
MetalAges has been great so far and
I love Deron. It's a small label
just starting out, so of course there's
a long way that I'd like to
see us go, but we're working
hard and things have been great so
far.
If I told
you to choose only one instrument
to play from now on, or only vocals,
which would you choose?
Vocals without a
doubt.
Final question
Matt regarding your future plans.
Do you plan a release of a new album
soon?
No,
it will be a while. I'm still
writing and we're building the
studio. Then I have some other things
I need to take care of while we're
between albums, and then we have to
buy some more gear. Then I think we'll
finally be ready to record. The first
album just came out in October though,
so it hasn't been out very long,
really.
Matt thank
you very much for honoring our webzine
with this interview. I wish you all
the best and I hope we will be able
to listen you next album soon. I leave
the closing to you.
Hey, thank you very
much as well! I really appreciate
Metal Perspective taking the time
to support Theocracy. It really means
a lot! And to the fans reading this,
thank you so much as well! All of
this would not be possible without
your support of the album and spreading
the word, so thank you!!
|